ALTAVISIONE

Rome, 2018 [vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" text_align="left" css_animation=""][vc_column][vc_empty_space height="20px"][/vc_column][/vc_row] In this work photography and writing share the same fragment composition method. Through the lens frame and a few brief lines of text, the reader immerses himself in a partial dimension that suggests rather than defining, and explores...

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SCARZUOLA

1958-1978 Tomaso Buzzi Montegabbione, 2012 in La componente archeologica nel progetto moderno, Gregorio Froio, Rubbettino; 2013 [vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" text_align="left" css_animation=""][vc_column][vc_empty_space height="20px"][/vc_column][/vc_row] The photographies of Matteo Benedetti of the Scarzuola reproduce the extraordinary work by Tomaso Buzzi (1900-1981), immersed in the heart of the Umbrian landscape. A personal residence...

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SAPIENZA

1932-1935 Marcello Piacentini e various authors Rome, 2012 in Marcello Piacentini architetto 1881-1960, Gangemi editore, 2012 [vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" text_align="left" css_animation=""][vc_column][vc_empty_space height="20px"][/vc_column][/vc_row] Photographing Marcello Piacentini's architectures means crystallizing and shaping a city idea strongly based on the deepest vision-related concepts. Architectures, which have a primary value in their three-dimensional...

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